{"id":922,"date":"2024-08-15T13:08:17","date_gmt":"2024-08-15T04:08:17","guid":{"rendered":"https:\/\/maritakano.com\/?page_id=922"},"modified":"2024-10-03T16:50:11","modified_gmt":"2024-10-03T07:50:11","slug":"chamber-works","status":"publish","type":"page","link":"https:\/\/maritakano.com\/en\/chamber-works\/","title":{"rendered":"Chamber Works"},"content":{"rendered":"\n<div class=\"swell-block-fullWide pc-py-20 sp-py-20 alignfull\"><div class=\"swell-block-fullWide__inner l-container\">\n<p>In order to get scores, please contact&nbsp;<a href=\"mailto:maricatmusic@yahoo.co.jp\">maricatmusic@yahoo.co.jp<\/a>(Japanese, European Languages)<br>CM : Commissioned by &nbsp; &nbsp;PB : Published at &nbsp; &nbsp;PZ : Prize<\/p>\n\n\n\n<div class=\"wp-block-columns\">\n<div class=\"wp-block-column\">\n<h2 class=\"wp-block-heading\"><strong>Chamber Works<\/strong><\/h2>\n\n\n\n<p>Duende, for vn, fl, cl, T-bells, vib (1982) 10&#8242;<br>PZ\uff1aThe 3rd Irino Prize, 1983<br>PB\uff1aOngakugeijutsu, 1983<\/p>\n\n\n\n<p>Felicitas , for 15 instrumentalists (1983-1984) 13&#8242;<\/p>\n\n\n\n<p>Kreislauf (Cycles), for percussion quartet (1985) 18&#8242;<\/p>\n\n\n\n<p>Octet, for 2fls, 2obs, 2cls, 2bns (1986) 8&#8242;<\/p>\n\n\n\n<p>Four Pieces for Six Players ( fl (+picc, alt, bass), ob, cl (+bass cl, sop sax),trb, perc, pf) (1987) 15&#8242;<br>1. Khyal 2. Labyrinthe d&#8217;orfeo 3. Are you going with me\uff1f4. Die verzerrte Variation<\/p>\n\n\n\n<p>Casablanca<br>1st version<br>Casablanca, for sax (sop, alt, bar), keyboard(DX7-II), va, cb\uff081989\uff09\u30003&#8217;30<\/p>\n\n\n\n<p>2nd version<br>Casablanca, for sax(sop, alt, bar), 2 synths (DX7-II), va\uff081989\uff09\u30003&#8217;30<\/p>\n\n\n\n<p>L&#8217;Abandon, for 14 guitars \uff081990-1992\uff09\u300015&#8242;<br>1. L&#8217;Abandon 2. Norwegian Wood 3. Dance, Dance, Dance<\/p>\n\n\n\n<p>Octet in Two Movements, for cl, hrn, guit, pf, 2 percs, vn, cb\uff081993\uff09\u300010&#8242;<\/p>\n\n\n\n<p>Snow shadow, The Crow and The Jelly Fish, for guit, hp, perc, rubab\uff081989\uff09 \u300012&#8242;<br>CM\uff1aAmerican embassy in Tokyo<\/p>\n\n\n\n<p>Mugen No Tsuki, Mugen No Hoshi, for koto, 17-string koto, sho, hichiriki, vn\uff081998\uff09\u300014&#8242;<br>CM\uff1aTeiko Kikuchi<\/p>\n\n\n\n<p>String Quartet\uff081999\uff09\u300011&#8242;<\/p>\n\n\n\n<p>Song of the Pig-Mary (Paradox Love Song), for 6 mouth organs\uff082000\uff09\u300015&#8242;<\/p>\n\n\n\n<p>Moon Cherry , for shakuhachi, koto, 17-string koto\uff082000\uff09\u30008&#8242;<\/p>\n\n\n\n<p>LigAlien I, for sop sax, ten sax, pf (2003) 9&#8242;<br>CM\uff1aMasahito Sugihara<\/p>\n\n\n\n<p>LigAlien II, for hichiriki, 17-string koto, vn (2003) 14&#8242;<br>CM\uff1aHitomi Nakamura<\/p>\n\n\n\n<p>LigALien IV, for Sop.Sax, Ten.Sax, Pf (2007-2008) 12&#8242;<\/p>\n\n\n\n<p>LigAlien X, for Shakuhachi, vn, vc, pf (2009-2010) 10&#8242;<\/p>\n\n\n\n<p>LigAlien \u2161, for Ob, 17-string koto, vn (Revised2009) 14&#8242;<\/p>\n\n\n\n<p>Liebesblumen,for Guitar Quartet (2019) 8\u2019<br>CM\uff1aGuitar Quartet Anemone<\/p>\n\n\n\n<p>In a differeft Way,for Sitar,Pakhawaj,Fl,Vn,VC,Sax,Percussion (2021) 9\u201930<br>CM\uff1aContemporary Music Festival &#8220;Pulsation of Asian Music&#8221;<\/p>\n\n\n\n<p>Corridor of light \u2161 (Fl Trio) (2021) 9\u2019<br>CM\uff1aFl Trio Aulos<\/p>\n\n\n\n<p>SQL Crosscurrent,for 2 Guitars,Percussion(2024) 7\u2019<\/p>\n<\/div>\n<\/div>\n\n\n\n<p class=\"is-style-border_left\">\u203bNo part of this homepage may be used for commercial purposes without permission of the composer. \u00a92024 Mari Takano<\/p>\n<\/div><\/div>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":6,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"swell_btn_cv_data":"","_locale":"en_US","_original_post":"https:\/\/maritakano.com\/?page_id=759","footnotes":""},"class_list":["post-922","page","type-page","status-publish","hentry","en-US"],"acf":[],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/maritakano.com\/wp-json\/wp\/v2\/pages\/922","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/maritakano.com\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/maritakano.com\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/maritakano.com\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/maritakano.com\/wp-json\/wp\/v2\/comments?post=922"}],"version-history":[{"count":9,"href":"https:\/\/maritakano.com\/wp-json\/wp\/v2\/pages\/922\/revisions"}],"predecessor-version":[{"id":1228,"href":"https:\/\/maritakano.com\/wp-json\/wp\/v2\/pages\/922\/revisions\/1228"}],"wp:attachment":[{"href":"https:\/\/maritakano.com\/wp-json\/wp\/v2\/media?parent=922"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}